The two giants of African music now are #WIZKID and #DAVIDO.
Lapping up all international awards, a collabo with world-class stars and hitting the best concert arenas on the AFRICAN Continent, Europe and the US. Very brilliant chaps.
However, our mind goes to #OLAMIDE. This boy is playing some bad ass music. His latest “WO” is a classic example of how a simple un clustered rhythm can just throw you into reckless ecstasy. He has made hits after hits after hits not to mention many successful artists he’s turning out from his stable.
However, OLAMIDE is shunned by international stars. He’s hardly had big-time concerts on the international arenas.
The awards from #GRAMMY, #MOBO, etc are not adorning his shelves. What is wrong? Is it because #OLAMIDE dwells too much in Yoruba idioms?
Is he too comfortable in his Lagos cocoon?
Is it a function of a short sited management?
Source: Dudu Heritage
What should this incredibly talented artist do to join #WIZKID and #DAVIDO on the global stage?